SYNOPSIS
When Grace meets Ian she's afraid. Afraid he'll reject her like the rest of the school, like her own family. After she accuses the town golden boy of rape, everyone turns against Grace. They call her a slut and a liar. But...Ian doesn't. He's funny and kind with secrets of his own.
But how do you trust the best friend of the boy who raped you? How do you believe in love?
A gut-wrenching, powerful love story told from alternating points of view by the acclaimed author of Send.
Praise for SOME BOYS
"You will be satisfied at the end of this powerful work. " ―RT Book Review
"A largely sensitive treatment of an emotionally complex topic. " ―Kirkus
"Some Boys" belongs in every YA collection." ―School Library Journal
WEBSITE: https://www.pattyblount.com/
TWITTER: @PattyBlount
GOODREADS: https://www.goodreads.com/author/show/5344531.Patty_Blount
FACEBOOK: https://www.facebook.com/PattyBlountNovels
INSTAGRAM: https://www.instagram.com/pattyblount3/
"You will be satisfied at the end of this powerful work. " ―RT Book Review
"A largely sensitive treatment of an emotionally complex topic. " ―Kirkus
"Some Boys" belongs in every YA collection." ―School Library Journal
SOME BOYS BY PATTY BLOUNT EXCERPT
Minutes
pass, but they feel like centuries. I fumble for my phone—my mom’s phone since
she made me switch with her—and call her.
“Grace,
what’s wrong?”
“Can’t breathe, Mom. Hurts,” I push out the words on gasps of air. “Okay, honey, I want you to take a breath and hold it. One, two,
“Can’t breathe, Mom. Hurts,” I push out the words on gasps of air. “Okay, honey, I want you to take a breath and hold it. One, two,
three,
and let it out.”
I follow her instructions, surprised I have any breath in my lungs to
I follow her instructions, surprised I have any breath in my lungs to
hold
for three seconds. The next breath is easier.
“Keep going. Deep breath, hold it, let it out.”
It takes me a few tries, but finally I can breathe without the
“Keep going. Deep breath, hold it, let it out.”
It takes me a few tries, but finally I can breathe without the
barrier.
“Oh, God.” “Better?”
“Yeah.
It doesn’t hurt now.” “Want me to take you home?”
Oh, home.
Where there are no laughing classmates pointing at me, whispering behind their
hands. Where there are no ex-friends calling me a bitch or a liar. Where I
could curl up, throw a blanket over my head, and pretend nothing
happened. Yes, take me home. Take me home right now as fast as you can.
I
want to say that. But when I glance in the mirror over the row of sinks,
something makes me say, “No. I have to stay.”
“Grace—”
“Mom, I have to stay.”
There’s a loud sigh. “Oh, honey. You don’t have to be brave.”Brave.
The word hangs in the air for a moment and then falls away, almost
“Mom, I have to stay.”
There’s a loud sigh. “Oh, honey. You don’t have to be brave.”Brave.
The word hangs in the air for a moment and then falls away, almost
like
even it knows it has no business being used to describe me. I’m not brave. I’m
scared. I’m so freakin’ scared. I can’t see straight, and I can’t see straight
because I’m too scared to look very far. I’m a train wreck. All I’m doing is
trying to hold on to what I have left. Only I’m not sure what that is. When I
say nothing, she laughs too loudly. “Well, you’re wearing your father’s
favorite outfit, so just pretend it’s a superhero costume.”
That
makes me laugh. I glance down at my favorite boots—black leather covered in
metal studs. My ass-kicking boots. Ever since Dad married Kristie, Mom lets me
get away with anything that pisses him off, and wow does he hate how I dress.
“Why
don’t you go to the library until the bell rings? Relax and regroup, you know?”
Regroup.
Sure. Okay. “Yeah. I’ll do that.”
“If
you need me to get you, I’ll come. Okay?”
I meet my own gaze in the mirror, disgusted to see them fill with tears. Jeez, you’d think I’d be empty by now. “Thanks, Mom.” I end the call, tuck the phone in my pocket, and head for the library.
I meet my own gaze in the mirror, disgusted to see them fill with tears. Jeez, you’d think I’d be empty by now. “Thanks, Mom.” I end the call, tuck the phone in my pocket, and head for the library.
The
library is my favorite spot in the whole school. Two floors of books, rows of
computers, soft chairs to slouch in. I head for the nonfiction section and find
the 770s. This is where the photography books live—my stack. I run a finger
along the spines and find the first book I ever opened on the subject—A
History of Photography.
I
pull the book off its shelf, curl up with it in a chair near a window, and flip
open the back cover. My signature is scrawled on the checkout card so many
times now that we’re old friends. I know how this book smells—a little like cut
grass. How it feels—the pages are thick and glossy. And even where every one of
its scars lives—the coffee ring on page 213 and the dog-eared corner in chapter
11. This is the book that said, “Grace, you are a
photographer.”
I
flip through the pages, reread the section on high-key tech- nique—I love how
that sounds. High-key. So professional. It’s really just
great big fields of bright white filled with a splash of color or some- times
only shadow. I took hundreds of pictures this way—of Miranda, of Lindsay, of
me. I practiced adjusting aperture settings and shutter speeds and overexposing
backgrounds. It’s cool how even the simplest subjects look calm and cheerful.
It’s like the extra light forces us to see the beauty and the flaws we never
noticed.
I
unzip my backpack and take out the school’s digital camera. It’s assigned to
me—official student newspaper photographer. I scroll through the images stored
on the card—selfies I shot over the last few months. Why can’t everybody see
what I see? My eyes don’t sparkle. My lips don’t curve anymore. Why don’t
they see?
With
a sigh, I close the book, and a slip of paper floats to the floor. I pick it
up, unfold it, and my stomach twists when I read the words printed on it. A
noise startles me, and I look up to see Tyler Embery standing at one of the
computers. Did he slip this paper into my favorite book? He’s had a painfully
obvious crush on me forever. Every time he gets within five feet of me, his
face flushes, and sweat beads at his hairline. Tyler volunteers at the library
during his free periods and always flags me over to give me the latest issue
of Shutterbug that he sets aside for me as soon as it arrives.
He grabs something off the desk and walks over to me. I smile, thankful there’s
still one person left in this world that doesn’t think Zac McMahon is the
second coming of Christ. But Tyler’s not holding a magazine. He’s holding his
phone.
“Six-eighty-three.”
There’s no blush, no sweat—only disgust.
I
make it to the end of the day. At dismissal I make damn sure I’m early for the
bus ride home so I can snag an empty row. I plug in my earbuds to drown out the
taunts. It’s not so bad, I tell myself repeat- edly, the taste of
tears at the back of my throat familiar now. I don’t believe me.
Once
safely back in my house, I let my shoulders sag and take my first easy breath
of the day. The house is empty and eerie, and I wonder how to fill the hours
until Mom gets home. Thirty-two days ago I’d be hanging out after school with
Miranda and Lindsay or shopping at the mall or trying to find the perfect
action photo at one of the games. In my room I stare at the mirror over my
dresser, where dozens of photos are taped— photos of me with my friends, me with
my dad, me at dance class. I’m not welcome at any of these places, by any of
these people anymore. I don’t have a damn thing because Zac McMahon took it
all. I think about Mom killing all of my online accounts and switching
phones just until things settle. But now that the video of me
that Zac posted on Facebook has 683 Likes, it’s pretty clear that waiting
for things to settle is a fantasy.
I
rip all the pictures off the mirror, tear them into tiny pieces, and swipe them
into the trash bin next to my desk. Then I pull out the slip of paper I found
in the photography book, and after a few minutes of staring at it, I dial the
number with shaking hands.
“Rape
Crisis Hotline, this is Diane. Let me help you.”
ABOUT THE AUTHOR
Patty Blount grew up quiet and a bit invisible in Queens, NY, but found her voice in books. Today, she writes smart and strong characters willing to fight for what’s right. She’s the award-winning author of edgy, realistic, gut-wrenching contemporary and young adult romance. Still a bit introverted, she gets lost often, eats way too much chocolate, and tends to develop mad, passionate crushes on fictional characters. Let’s be real; Patty’s not nearly as cool as her characters, but she is a solid supporter of women’s rights and loves delivering school presentations.
Patty is best known for her internet issues novels, including SOME BOYS, a 2015 CLMP Firecracker winner and SEND, a 2012 Junior Library Guild Fall Pick. Visit her website at pattyblount.com, where you can sign up for her newsletter. She blogs at YA Outside the Lines and is also active online. She loves hearing from readers, especially when they tell her she’s cool (even though she knows it’s not true), and is easily bribed with chocolate. Never underestimate the power of chocolate.
Patty is best known for her internet issues novels, including SOME BOYS, a 2015 CLMP Firecracker winner and SEND, a 2012 Junior Library Guild Fall Pick. Visit her website at pattyblount.com, where you can sign up for her newsletter. She blogs at YA Outside the Lines and is also active online. She loves hearing from readers, especially when they tell her she’s cool (even though she knows it’s not true), and is easily bribed with chocolate. Never underestimate the power of chocolate.
PHOTO CREDIT: DAN DEMERIAD
TWITTER: @PattyBlount
GOODREADS: https://www.goodreads.com/author/show/5344531.Patty_Blount
FACEBOOK: https://www.facebook.com/PattyBlountNovels
INSTAGRAM: https://www.instagram.com/pattyblount3/
